I got in touch with Kimya Dawson of The Moldy Peaches and she started sending me her work, which was beautiful, and that became a lot of the soundtrack. and I discussed putting a Moldy Peaches song in it where the characters would sing to each other. The album features several songs performed by Kimya Dawson and her bands Antsy Pants and the Moldy Peaches, due to a suggestion by lead actor Elliot Page: Īt one point, I asked Page before we started shooting, 'What do you think Juno listens to?' And said, 'The Moldy Peaches.' went on my computer, played the songs, and I fell in love with it.
#Songs in juno full
The parameters for submitting recordings include Indigenous artists or groups living in Canada who released an EP (five songs or less) or a full album between Septemand this November 5, 2021, comprising six unique songs or 20 minutes of music are eligible. This category will follow the lead of Indigenous collectives who use the vocal styles, instruments, or songs created by their ancestors. Songs in the language include acapella in any language of the Indigenous people of northern Turtle Island Indigenous Nations in Canada are diverse and their unique vocal styles, instruments, and songs have value. With respect to Métis Fiddle the instruments/sounds include fiddle, acoustic guitar, piano, spoons, foot percussion, and drum kit. Specific considerations apply to Inuit Throat Singing. The recording must be performed by an Inuk duo, cannot include the use of electronic sounds and use jaw harp is permitted. The new category will include pow wow songs, round dance songs, hand drum songs, Qilaut/Inuit drum, katajjaq/qiarvaaq/Inuit throat singing, flute music, Métis fiddle music, Iroquois songs, West Coast and East Coast songs, Ko’jua songs, peyote songs, pisiit (Ajaaja/traditional Inuktitut songs), spoken word/language Gwitchin fiddle music, hand game music, rattle music, social/potlatch songs, Inuit throat singing, and other songs with traditional percussion, instruments and language.Īdditional criteria includes anything to do with a traditional drum, any music made with traditional instruments/methods no electronic sounds permitted, use of an Indigenous language. All sounds must be made from acoustic instruments and not electronic,” Rheaume said. To be eligible, solo acts and groups must be Inuit, First Nation, or Métis, to promote traditional songs to be heard publicly and to be preserved for future generations. The new category recognizes Indigenous people making traditional music. “We’ve been working at this effort for a long time.” “This is exciting news that we have expanded the category into two sections to allow more artists to submit,” said Committee Chair Amanda Rheaume, an Anishnaabekwe contemporary recording artist herself. Since its inception in 1994, the Aboriginal Music Category for the Juno Awards has attempted to broaden its scope with two representative categories, one for contemporary and the other for traditional roots. The long-sought-after recognition for our traditional roots music is now realized. After a long journey of applications, canvassing and petitions, a category for Traditional Indigenous Music has finally been established: Traditional Indigenous Artist of Group of the Year.
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